Writer’s Patch

Various works available for publication
by Henry J. de Jong

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Corpus Commutatio
Proofs

These newly written works by Henry de Jong have not been published or posted. They are made available here for exchange with publishers and editors. They may not be used without conversation or permission. They may be freely shared as links with other potentially interested publishers, editors and advisors.

Vennekerk ‘23

The Vennekerk has been poking up on the horizon of my life for as long as I can remember. When I was born, it had been only three years since my parents worshipped there for the last time. They had been members in this Winschoten NL church together since childhood. But only in the last six weeks, before separate emigrations in ‘53, had they started dating – to be continued in Aylmer and Port Dalhousie.

We often fail to appreciate the formative influences that churches may have on youths (beset instead by negatives). But my parents (and their families) spoke fondly of the church where they worshiped, attended catechism classes and where my father played organ. And they spoke often of their love for Dominee Hommes as a pastor and a preacher. The legend still lives of his leap from the pulpit to escape a Sunday morning raid by Nazis, and Hommes actually spent some time ‘diving under’ cover in my grandparents’ backcountry farmhouse.

But time rolls on and, an ocean away, the sanctuaries, fellowship and preachers of Aylmer, Talbot Street, and Second Sarnia came to the fore. Back in Winschoten, my dad’s parents continued on in the Vennekerk until they retired to Groningen. The Gereformeerde congregation merged into the Protestantse Kerk fold in 2004 before giving up the ghost in 2015 and joining with the market square congregation. The church building was purchased and donated to a cultural foundation, and continues its long history as a concert venue, as well as a place for combined services like Christmas and Easter. It seats up to 1,500.

Seventy years after my extended families broke with the Netherlands and with the Vennekerk, the offspring of Harm and Dina van der Laan returned to home turf for a week-long family reunion, their sixth since 1998. Some one hundred clan members, mostly from North America, gathered from a Friday to Friday in Stadskanaal to pass on and explore their heritage. Sadly, my parents were not among them.

Our reunions always have a worship service, and I cottoned on early to the idea of utilizing the, now mostly vacant, Vennekerk for this event. This proved to be no problem for the building’s administration and was affirmed by our reunion planning committee and by the elders.

The reunion itself proved to be a wonderful experience, but the worship service stands out. It was our first excursion following the Friday and Saturday arrivals. Two retired city buses and a small contingent of cars made the half hour trek to Winschoten in time for a 10:30 start. I was on the early bus, and took the time before the service to explore the church.

I had seen the Vennekerk from the outside four times already since ‘71, but never from within. So I wandered around ceaselessly with my camera soaking up the ambience. Old pews, warmed by reformed seats for 120 years, high barrel ceiling for sermon contemplations, winding stairs to the organ loft with my father’s footprints, sunny stairwell with stained glass windows, fellowship hall echoing the din of children going back six generations and kitchen for its willing workers. All of these spoke of an enduring covenant.

The kitchen was occupied when we arrived. Even after seventy years, community yielded four local volunteers to join in service. While their guests milled around waiting for worship to begin, three of the locals were busy preparing coffee and lunch for afterwards, while a fourth saw to the sound system. All the while, the sound of organ practice filled the space that was set for us, while in an upstairs hall the worship team rehearsed around a piano.

Our five extended families have seasoned worship leaders, three preachers and an organist among them, so we were good to go in this new old place. Herman and Stiny were missing, so my dad could not witness the organist’s mantel being passed on to his grandson, an Oberlin organ major. Nor could they listen to the Word that would be passed on by their granddaughter from an inheritance thirteen generations deep.

The worship began, after a Bach prelude, with the familiar words “Our help is in the name of the Lord, who made the heavens and the earth.” From there we sang Genevans, Redman, Lowry, Watts and Tomlin, accompanied variously by organ, piano and guitars. The sermon, with Psalm 145 as text, celebrated God’s goodness, passing on from one generation to the next.

No Dutch-Canadian church service is complete without a coffee social so we eagerly progressed through the double doors beside the pulpit to the fellowship hall, where the servers were waiting. We filled that space completely and enjoyed more family fellowship, as well as interactions with our hosts. Then, after a while, they brought out raisin and ham buns to sustain us for the coming afternoon’s heritage tour.

We had some guests that morning besides the volunteers; some family and a school friend of my uncle, who was overwhelmed by the service and rued the fifties flight to Canada of the “strength of the church”. The Winschoten church community still talks about our worship service. We don’t talk much anymore, but we remember.

These two poems by Henry’s father,
Herman de Jong,
feature the Vennekerk.
From a Collection of Six Poems on matters of faith

Sunday Morning

sit still!
how could I have sat still
when all the colours of the rainbow
quite unexpectedly began to
wiggle through the church?

good grief….my foot…
don’t build churches then
with stained-glass windows

my eyes moved
from elder jansen’s green head
to mrs. tjaarda’s blue face,
from mrs. jonker’s yellow hat
to mr. houweling’s red beard.

as a good little protestant
i had pretended to listen
to the flow of weighty orthodoxy
which like the mixed odor
of eau-de-cologne and peppermints
wafted from pew to pew
in a never-ending stream
of three or four-syllable words.

but when the sun at intervals
peeked through dark dutch clouds
i shifted constantly
craning my neck
to miss nothing of the covenant colours
which the nodding elders
the pulpit-pounding dominee
the staring parishoners
didn’t seem to notice.

until my mother pinched my arm
oh, so gently
(not at all like she pinched me
within the safe walls of our home)
and obediently i settled down
looking in the right direction
as a good little calvinist
seeing one colour only
violet
on the balding head
of the preacher

this too
shapes religion
i think

Herman de Jong

A Good Friday

I was eighteen when, on Easter Day,
I confessed my faith in God the Father,
in Jesus, His only begotten Son, and
in the Holy Spirit, who proceeded
from the Father and the Son.

I wanted my ‘yes’ to be so distinct,
that my Dad and Mom could hear it too.
Instead I just nodded my head,
for I remembered…

Good Friday morning.
I climbed the spiralling stairs
to the organ loft above the pulpit.
Young and inexperienced,
I needed to practice
for the evening service.
I thought my prelude should be
“O Sacred Head Now Wounded”,
but the possibilities
of that mournful melody eluded me.

A bleak morning sun
threw flecks of diffused colour
on the richly carved organ front.
A cross appeared above the keyboards,
the shadow of the crossed timbers
in the stained-glass windows.

My eyes fastened on that cross,
and suddenly I saw the body of Jesus
writhing in agonizing grief.
His pain-narrowed eyes looked down
on the black and white keys,
then centered on me.

Looking up to the cross,
My fingers began to wander
aimlessly over the keys, until
a shuddering wave of grief
signalled a single melody
from heart to hands.
When it returned from its journey
along the vaulted ceiling
I added a counter-tune
and suddenly, outside my own will,
the organ seemed to sing by itself,
only using my hands and feet
as necessary tools.

The sun hid behind dark clouds.
The cross disappeared…
But Jesus did not.
I sensed His Presence behind me,
but I did not dare to look.

Through my tears I scanned the stops,
pulled out the trumpet, Mixture I and II,
and the organ swelled with my longing:
“Oh, make me thine forever,
And should I fainting be,
Lord, let me never, never,
Outlive my love for Thee.”

Herman de Jong

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